Totentanz ): Paraphrase on Dies irae, S.126, is the name of a work for solo piano and orchestra by Franz Liszt notable for being based on the Gregorian.
Apr 5, 2019.
In 1830 Liszt attended the first performance of the symphony and was struck by its powerful originality. Liszt's Totentanz (Dance of Death), a set of.
Jan 17, 2020.
Totentanz literally translates as “Dance of Death” in German, and the term refers to a long tradition in the visual arts. Liszt specifically seems to.
November (1921; The Ninth of November), inspired by the German revolution of 1918; Das blaue Band (1938; "The Blue Band"), based on the sinking of the ocean.
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Jul 1, 2011.
Scroll for details. Totentanz – Liszt. 1,151,490 views1.1M views. • Jul 1, 2011. 9.7 K 112. Share Save. 9,769 / 112. Daniel Arturo Charry Meneses.
Where Liszt charms and delights in the E-flat-major Concerto, he unleashes the piano and orchestra with apocalyptic force in the Totentanz. Like the First Concerto.
Totentanz (Dance of the Dead) is immediately recognisable by its menacing opening discordant notes in the orchestra and piano, which paves the way for a.
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Amazon.com: Totentanz Franz Liszt.
Liszt's mid-century inspiration, Totentanz (Paraphrase on “Dies Irae” for pianoforte and orchestra), would prove to be one of the most enduring, inspiring, and.
Totentanz (Danse Macabre), Op. 12/2, is a composition of 14 motets by Hugo Distler which he composed in 1934 for Totensonntag. The work was inspired by the medieval Lübecker Totentanz. The music is interspersed with twelve spoken texts. The motets are scored for a four-part choir a cappella, while the texts can be recited by one or more speakers.
Unlike Berlioz, who had already employed two phrases of the Dies irae in his Symphonie fantastique, Liszt's Totentanz uses the whole first verse of the theme, .